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Kahani Rubber Band Ki Review: Too much comedy makes the film a dull watch!

Kahani Rubber Band Ki Review:

  • Movie: Kahani Rubber Band Ki
  • Director: Sarika Sanjot
  • Cast: Avika S. Gor, Pratik Gandhi, Manish Raisinghan
  • Runtime: 120 minutes
  • Rating: 3

Story: 

When newlywed couple Akash Choudhary (Manish Raisinghan) and Kavya Patel (Avika Gor) become pregnant despite using protection, their lives and future are turned upside down. However, to save Akash’s relationship with Kavya, she files a complaint against the condom manufacturing company. In addition, he educates the public about the stigma attached to sex, condoms, and safety in Indian homes.

Kahani Rubber Band Ki Review: 

First-time director Sarika Sanjot has created a socially relevant film that has made the right noise to inform society in a way. However, the story could have been delivered with more finesse and precision. The line “Condom khareedne wala chichora nahi gentleman hota hai,” says a lot about the Kahani Rubber Band Ki. We have seen some movies in the past also about the safety of sex and there is nothing wrong with that which discusses the topic of social issues. 

This 120-minute drama in which the condom is called the rubber band is also like those movies but differently, Kavya and Akash get pregnant even after using protection. KRBK uses a mix of drama and humor to convey the importance of discussing safe sex which fell short. The first half of the film is light-hearted and airy, but the second part is too stretched to make a point. 

Even the court battle was not so entertaining and complete as a stilted description of the situation around condoms, sex, and safety in Indian homes. There is a purpose in the article, but the potential laugh gaps do little to see the seriousness of the subject rather than unify the narrative. 

Kahani Rubber Band Ki Trailer:

The onscreen chemistry between Manish Raisinghan and Avika Gaur was very sweet. The film also sees Prateek Gandhi as Nanno, the best friend of Akash, who studies law but works in medicine with his father. Prateek has also done a very good job, but his role was a little less as the whole story is focused on Akash and Kavya.

Verdict: 

Farooq Mistry’s cinematography explored the story of the city of Banaras very well. Audiences really get on well with movies spotlighting country inhibition. The strong topic that the story has caught, if the film had been presented to the audience in better ways to express its concerns, then the film would have been on the list.

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Bhagyaa Kadam

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